The tools which Elie Avrahami uses are translucent watercolors. Out of a small box of Winsor Newton watercolor cubes, using the finest brushes made of mongoose hair; he creates a wealth of shapes, like those seen under a microscope – organic shapes in motion. He launches his shapes on the paper and engages in a dialog with it; absorbent paper, impermeable paper, smooth paper or rough paper. The paper accepts the colors and absorbs the paints, color upon color, layer upon layer. Then another layer, of a different nature, harmonizing with those beneath it, creating a new shade, different, richer – like a choir creating an accord. He continues to wield his moistened brush, drawing it over the paper until he hesitates whether his journey has come to an end: should he add anything? Or shouldn't he? Maybe just another touch here or there, just to reinforce and perfect the balance.